Archive for the 'italy' Category

Object: Lekythos

Untitled-1C/2001/1/42
Red Figure Lekythos
Southern Italy, Apulia
Apulian
Attributed to the Choes Painter
ca. 350 BCE
Materials: ceramic

This object is a red figure Apulian lekythos that is believed to have been painted by the Choes Painter. The Choes Painter is part of the Lecce Group of Apulian Red Figure vase painters. A similar lekythos, attributed to the Thrysus painter (also part of the Lecce Group) can be found in the Ure Museum, of the University of Reading.

Red Figure vase painting was developed in Athens around 530 BCE and quickly surpassed Black Figure vase painting in popularity. Attic Red Figure vases were highly prized trade items and by the mid-5th century BCE workshops specializing in Red Figure pottery began to be found in Greek colonial areas such as Southern Italy. Before long the Red Figure vases of Apulia were comparable in artistic quality with those produced in Athens.

Apulian vase painting is commonly divided into two main styles, the “Plain” style and the “Ornate” (or “Rich”) style. The “Ornate” style is found mainly on large vessels like volute kraters or amphorae and, like the name suggests, is characterized by elaborate painted scenes sometimes containing up to twenty human figures. “Ornate” style decoration also tends to use a wider range of colors in its decoration, including lots of yellow and white painted areas. Meanwhile, “Plain” style vases tend to be small and the decoration is kept simple, with typically no more than a few human figures. [Kate Barr]

Object: Vase

EU-3-?-2
Pottery Vase

Italy, Southern Europe
before 1967
Materials: clay, glazes

Museums often hold objects and collections about which frustratingly little is known. This attractive vase is of considerable value to the Division of Ethnology at the Sam Noble Oklahoma Museum of Natural History because it is one of only a few objects of material culture in its collections that are sourced to Europe. The field of anthropology aspires to understand and interpret the human story across space and time. In museums, this lofty goal is difficult to pursue when anthropological collections are unevenly patterned, either temporally or spatially. Less than one quarter of one percent of the SNOMNH collection comes from Europe. Thus for purposes of, for instance, doing a student exhibition on pottery around the world, this vase would be a crucial resource. Here is where the lack of adequate documentation accompanying this object reappears as a problem to be dealt with. Can you help? Do you know something about the kind of pottery that this piece exemplifies? Museum records suggest that it is from Italy, but even this fact is a bit uncertain. If you can help SNOMNH understand this item better, let us know what you know via a comment to this weblog or via email to dcswan (at) ou (dot) edu. [Jason Baird Jackson]
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Ethnology @ SNOMNH is an experimental weblog for sharing the collections of the Division of Ethnology at the Sam Noble Oklahoma Museum of Natural History.

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