Archive for the 'Ancient Egypt' Category

Object: Egyptian Amulet

Figure 1 Amulet of Egyptian God Bes from the Classics Collection of the Sam Noble Oklahoma Museum of Natural History

Figure 1 Amulet of Egyptian God Bes from the Classics Collection of the Sam Noble Oklahoma Museum of Natural History

Amulet of Bes
Unknown Date
Materials: Faience (fused glass)

This small amulet depicts the Egyptian God Bes. In ancient times, Bes was very important to pregnant women, mothers and children. He was a god of protection against evil spirits and creatures that wanted to do harm to families.

The god Bes is unlike many of the other Egyptian gods in several ways. He is usually shown as forward facing, which is a very rare trait to see in Egyptian art. Most Egyptian art illustrating humans or gods depicts their subjects in profile view, where the shoulders and upper body of the person or god is shown from the front, the nose is easily distinguished, and both feet can usually be seen. Ancient Egyptians painted in this manner so they could be as accurate as possible when recreating the likeliness of an individual as well as emphasizing what were seen as the most important features of a person or god.

Figure 2 Cosmetic Jar with Egyptian God Bes, photo courtesy of the Cleveland Museum of Art.

Figure 2 Cosmetic Jar with Egyptian God Bes, photo courtesy of the Cleveland Museum of Art.

Bes was one of the only dwarf gods worshiped in ancient Egypt. He was very ugly in appearance, with bulging eyes and his tongue sticking out. This strange depiction was in order to scare away evil and poisonous creatures. His legs are commonly shown as being bowed outward, and he is often shown wearing the skin of a large cat such as a panther or a lion. He also always wore a feather headdress, which is another uncommon trait to see in images of Egyptian gods. By being a dwarf, wearing his unique outfit, and being shown as facing forward, some scholars believe he originated from a culture other than Egyptian. Before being incorporated into the Egyptian pantheon of gods, it is guessed that he may have been an African deity of some sort.

Ancient Egyptians believed amulets had to be made in a specific way in regards to the material and the shape. Magic contained in an amulet could be figured out from the form, the materials, what colors were used, and several other attributes. By creating the amulet based on these specifications, the amulet was supposed to grant the wearer’s wish when using it. Amulets could be carried or be worn in many different ways such as on a bracelet, a necklace or a ring. Similar amulets were often also included on the mummified bodies of ancient Egyptians to assist the deceased and guide them into the afterlife.

This amulet from the Classics Collection at the Sam Noble Oklahoma Museum of Natural History provides some interesting insights not only into the origin of the Egyptian God Bes but also into the use of amulets in ancient Egypt.

[Katelyn Williams]


Object: Faience Necklace

Figure 1    Egyptian Faience blue beaded necklace from the Ethnology Collection of the Sam Noble Oklahoma Museum of Natural History

Figure 1 Egyptian Faience blue beaded necklace from the Ethnology Collection of the Sam Noble Oklahoma Museum of Natural History

Blue faience necklace
Africa: Egypt
Date: Modern
Materials: Faience (glass) beads on leather

This small blue beaded necklace is 12 inches long and comes from modern-day Egypt. The leather thong (or string) that holds the beads is tied together in one spot and can be adjusted to fit the person wearing it. The irregular shaped beads are made out of faience, a type of colored glass.

Faience (pronounced “fay-ahns”) has a long-standing history in many countries, especially Egypt. The ancient Egyptians used faience (known as tjehnet) beginning in 3500 BC to make beads, statues, amulets, bowls, and a variety of other objects. One theory is that faience was invented in Mesopotamia in 4000 BC and then brought to Egypt through trade.

Faience was originally developed by ancient Egyptians out of a desire to find a substitute for lapis lazuli, a highly valued dark blue stone. The royalty and nobles of ancient Egypt wanted to show how much power and wealth they had through the beautiful and expensive objects they put in their palaces, temples, and tombs. Lapis lazuli, however, was hard to come by. So, they developed faience, a much cheaper and easily manufactured material, as a substitute.

Faience, known as the “first high-tech ceramic” is made from finely ground quartz (or sand) mixed with lime, copper oxide, water, and a binder agent (such as gum arabic). When mixed together, these ingredients form a kind of paste that can then be put into a ceramic mold, dried, and fired in a kiln (or oven). Early on, it was discovered that adding different minerals (such as manganese) instead of copper oxide would result in different colors of faience including                                                           cobalt blue, purple, and yellow.

Today, the production of faience all around the world has expanded. Artists and scientists continue to experiment with and learn from this fascinating blue glass that experienced its beginnings in ancient Egypt and ancient Mesopotamia. This beautiful beaded necklace is only one example of how faience continues to be used today.

Take a look at this cool video that shows step-by-step out to make faience objects using ancient Egyptian molds from the Petrie Museum of Egyptian Archaeology:

[Stephanie Lynn Allen]

Object: Mummified fish

Mummified fish
Ancient Egyptian
unknown date
Materials: Fish, cloth, resin, salt or natron

Ancient Egyptian culture is best known today for its mummies but, humans weren’t the only ones being mummified in Ancient Egypt. Animals were also commonly mummified. Animals were mummified for a variety of reasons, all connected to the Egyptian belief in an afterlife. The Ancient Egyptians viewed death as the beginning of a new life in the underworld, and much like an extended vacation, in order to enjoy this new life one would need to pack accordingly. Only those items properly persevered and stored within the tomb would be available to the deceased in the afterlife, this would include one’s own body and internal organs. Some animals were mummified because they were pets, and their owners wanted them to enjoy the afterlife with them. Any item or animal that one wanted to have in the afterlife had to be included in the tomb, so some animals were mummified to become food for deceased humans in the afterlife. Other animals were mummified because they were considered sacred to a particular deity. These animals were often associated with specific religious cults throughout Egypt, like the Apis Bulls at Memphis and the crocodiles at the Kom Ombo Temple.

The mummification of fish went on throughout much of Ancient Egyptian history but is thought to have reached its peak in the Ptolemaic period. The fish were mummified by removing their internal organs through a slit in the belly of the fish and then either soaked in brine or packed with salt or natron to dry out and preserve the fish. The fish would then be either packed in mud or covered in papyrus stalks and then wrapped in linen and covered in resin. This group of fish were unwrapped after they were discovered and only part of their original wrappings can be seen, on fish C/1957/4/1.

The following video shows a modern attempt at recreating fish mummification.

[Kathryn S. (Barr) McCloud]

Object: Amulet

Slate Turtle Amulet
Possibly Pre-Dynastic
Materials:  Slate

This object is a small (1 15/16” long) slate amulet from Egypt.  The thin slate disc is crudely carved in the outline of a turtle.  A hole is pierced near the tail for suspension.

The earliest representations of the Nile turtle date back to pre-dynastic times and were associated with magical significance that was meant to ward off evil.  Amulets such as this example were designed to defend the wearer’s health and life.  As time passed, the turtle became synonymous with drought, the enemy of the Sun god Ra.   Many times, a pair of tortoises would be depicted with a scale, representing the ebb and flow of the Nile‘s floodwaters.  Eventually, the turtle was associated with Set (the god of wind, desert storms, conflict and evil), and so with the enemies of Ra who tried to stop the solar barge as it traveled through the underworld to re-emerge with the new dawn.  Since the turtle was associated with night, it came to symbolize darkness and evil.  By the New Kingdom, the Sun god’s hostility toward the lowly turtle was even more strongly formulated in the phrase, “May Ra live and may the turtle die.”

Turtle shtyw

Belonging to the reptile order of Testudines, turtles are one of the oldest reptile groups known.  They are characterized by a special bony or cartilaginous shell developed from their ribs.  This shell acts as a shield into which the turtle withdraws at danger.  Turtles

are cold-blooded, which means they can varying their internal temperature according to the ambient environment. Turtles live in both aquatic and terrestrial environments; however, they lay their eggs on land only.

The turtle amulet is made from slate.  Slate is a metamorphic rock derived from a shale-type sedimentary rock composed of clay or volcanic ash.  Usually grey in color, slate can be found in various shades of grey from pale to dark and may also be purple or green.  Care must be taken to not confuse slate with shale, from which it may be formed, or schist (granite).   [Debra Taylor]

Object: Figurine

Egyptian: Bronze Cat
Egypt (possibly Saitic)
ca 664 to 525 BCE
Materials:  Bronze, wood

This object is an Egyptian bronze cat seated on a modern wooden base.  The wooden base is rectangular with the sides angling toward the interior.  The top platform is smaller than the base.  The wood has been painted black.  The top surface has been excised in order for the bronze cat to be set in.  The seated cat faces forward.  Its long tail wraps around the bottom right side and around the front legs.  The entire cat figure is very slender.  Two eyes, a nose, and a horizontal line for the mouth are visible.  Ears are on top of the head and pointed.  This figure  is believed to be of possible Saitic origination. The term “Saitic” comes from the city name “Sais,” which served as the center of power in the Delta region during the 26th Dynasty. The rule of the 26th dynasty is often referred to as the Saite period in Egyptian history. Psammetikhos I was the first ruler of the dynasty, and is traditionally thought to have ruled from about 664 to 610 BCE.

Cat figures such as this one are representations of deity Bastet, the“Devouring Lady,” the protector of women, especially pregnant women. Bastet (also known as Bast, Bastis, Bubastis, or Ubast) was believed to be responsible for joy, music, dancing, as well as health and healing.  Her cult can be traced back to 3200 BCE.  Around 950 BCE, she became a national deity when Bubastis became the capital of Egypt. Bubastis, a city in the eastern Nile Delta, is believed to have been the birthplace of Bastet.  The city itself has origins dating back to the 4th Dynasty and was populated into the Roman Period.

Sometimes, Bastet is associated with the lion-goddess Sekhmet. She is sometimes depicted as a cat holding a mask of a lioness in her hand.  Symbolically, she was represented as a woman with a cat’s head, or simply as a seated cat, like in the object pictured above. Cats were viewed by the ancient Egyptians as manifestations of diety, and as such were considered sacred.  The cat protected the grain from mice and rats and thus indirectly protected the people.  Killing a cat was punishable by death.  Many mummified Bastet cats have been found from various time periods throughout Egypt.  Amulets and figurines depicting the goddess were common among all Egyptian social classes. 

[Debra Taylor]

Object: Cartonnage Fragment


Fragment of a mummy cartonnage
18th dynasty (1570-1314 BCE)
Materials: linen or papyrus

This object is a multi-colored fragment of a mummy cartonnage possibly from the 18th Dynasty. Cartonnage was used for personal funerary ornaments such as mummy masks. The masks would cover the head, shoulders, and upper chest of the mummy to protect the face of the deceased. This particular piece was likely from the chest portion of a cartonnage mummy mask.

Cartonnage was made from thin, layered pieces of linen or papyrus. Once a shape had begun to form one side was coated with gesso (a mixture of glue and whiting plaster) to harden the shape. This coating allowed the maker to use detailed paint or gold leafing on the front side.

Each individual had their own design for their mask. Usually, the design would indicate something about the deceased. For instance, the mask may have been a representation of what the person looked like or enjoyed doing. An example of a gilded mummy mask can be seen at the British Museum.

[Brittany Teel]

Object: Amulet

Date unknown
Materials: faience

The museum’s catalog identifies this amulet as depicting the Egyptian god Anubis. In Egyptian mythology Anubis plays a crucial role as guide and protector of the deceased.

However, after examining the piece I feel that this amulet does not depict Anubis. Anubis, when shown in his half human form, has the head of a jackal while this amulet shows the head of a lion. Additionally, this figure is shown wearing a special type of crown called the atef crown. This type of crown is typically associated with the god Osiris and symbolized the priesthood and divine power. The atef crown resembles the white crown of Upper Egypt which has been decorated with two vertical rows of ostrich feathers. It seems more likely that this amulet depicts the god Maahes, rather than Anubis.

Maahes (also known as Mahes, Mihos, Miysis, or Mysis) was a male deity most commonly associated with fighting, war, and violence. Some myths describe him as a protector or guardian of Ra, the god of the sun disk. In this role he would protect Ra from Apep, the god of darkness while he traveled through the underworld during the night. In times of war, Maahes was also thought to be the protector of the pharaoh. Other myths describe him as an executioner, a protector of the innocent, a guardian of sacred places, or as one who could find “truth.” He also shared many characteristics with other lion headed deities such as Nefertem and Shesmu. It is likely that an amulet of Maahes was thought to protect the wearer from evil and ensure their safe passage in the underworld.

An example of a faience amulet depicting the god Anubis can be found at the Metropolitan Museum of Art. [Kathryn S. (Barr) McCloud]

maahes amulet

Ethnology @ SNOMNH is an experimental weblog for sharing the collections of the Division of Ethnology at the Sam Noble Oklahoma Museum of Natural History.


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